Bouchard is bringing her one-woman performance to The Marsh's stage, continuing the venue's long tradition of giving solo artists a platform to do what massive theater companies often can't: tell a single, focused, human story without a bloated production budget.

Here's what we appreciate about The Marsh model. It's lean. It's entrepreneurial. One performer, one stage, one audience. No six-figure set designs funded by taxpayer arts subsidies. No sprawling nonprofit bureaucracy skimming overhead before a single spotlight turns on. Just an artist who has something to say and a venue willing to let them say it. That's how culture is supposed to work — from the ground up, not the grant committee down.

San Francisco has spent years watching its arts scene get squeezed by rising rents, regulatory headaches, and the slow exodus of the creative middle class that once made this city electric. Venues like The Marsh are a reminder that the magic isn't entirely gone — it just needs room to breathe.

Whether you're a theater regular or someone who hasn't seen a live show since the pandemic turned us all into streaming zombies, solo performances are worth your time and your dollars. They're intimate, they're unpredictable, and they remind you that art doesn't need a seven-figure budget to hit you in the chest.

Check The Marsh's schedule for dates and tickets. Support the artists and venues that are still making San Francisco worth living in.